Make Some Noise!
Here are the selected articles from Gen Dietzel’s time at Affinity Magazine, Creek Music Group, Indie Witches, and as a freelancer.
Stevie Nicks: The High Priestess
Since joining Fleetwood Mac in 1974, Stevie Nicks has proven that she is the high priestess of rock and roll. In the tarot deck, the high priestess card represents the divine feminine, profound intuition, and the subconscious mind. As Nicks consistently aligns herself with the mystics and the moon, she embodies this energy more and more. In fact, she is so entrancing on stage that many have joked about her casting spells on her long-time band mate and partner, Lindsay Buckingham, through her performances. Nicks herself has denied the witchcraft rumors, but she still embodies that high priestess energy, making her one of the most revered figures in music history.
Stevie Nicks and Her Signature Songwriting
Stevie Nicks’ claim to fame isn’t her unique voice, iconic fashion, or even her intensity on stage; it’s her songwriting. While her eccentricity on stage certainly helped establish her identity, her songwriting is the driving force behind her success. Nicks is stylistically a poet, with a striking balance between her mystical metaphors and her straightforward messaging.
She contributed two major hits to her first effort with Fleetwood Mac, “Landslide” and “Rhiannon”, from the album Fleetwood Mac. These songs have endured the test of time and continue to intrigue audiences across generations. In fact, Rolling Stone Magazine named “Landslide” as one of the best songs of all time. This rings true as the song beautifully describes the deterioration of an impactful relationship. When the band released it in 1975, it was about her infamously tumultuous relationship with Buckingham. Nowadays, the song has grown with her audience, representing the transient nature of life itself.
Further, “Rhiannon” perfectly encapsulates Stevie Nicks as an artist. She became fascinated with the Welsh legend of the witch, whose songs take away pain. While it may not have been intentional, Nicks’ music has provided joy and healing to many people over the past five decades. With “Rhiannon,” Nicks embodies the divine feminine aspect of the high priestess very well.
Stevie Nicks’ Crystal Visions
In 1977, Fleetwood Mac released Rumours. It was the sixth best selling album of the 1970s and the twelfth best selling album of all time, with over 40 million copies sold. Here, Nicks really hits her stride. In fact, she gave Fleetwood Mac their first and only number one hit, with “Dreams.”
“Dreams” is the second single from Rumours, and is actually the second song on the album. It helps the body of work establish its renowned emotional intensity. In fact, “Dreams” is imperative to understanding Buckingham’s efforts on the album as well, leading up to his side of the story on “Go Your Own Way.”
“Dreams” re-entered the Billboard top 100 in 2020 after going viral on tik tok. Similarly, in 2021, Rolling Stone Magazine named “Dreams” as one of the best songs of all time, too.
Nicks’ crystal vision of her artistry continues through two other major hits on Rumours, “The Chain,” and “Gold Dust Woman.” Both “The Chain” and “Gold Dust Woman” are the most intense songs on the album, from the desperation and love lost prevalent in “The Chain,” to the wails of a banshee in “Gold Dust Woman.” These experimental sounds offered a precursory foundation to the band’s follow up effort, Tusk.
Time Casts Its Spell
Famously left off of Rumours, Stevie Nicks penned an extremely powerful break up song, “Silver Springs.” This song was actually supposed to be the B-Side to Buckingham’s “Go Your Own Way,” but drummer Mick Fleetwood kept it off the album as a way to keep the songwriting efforts equitable, with Nicks already responsible for four songs on the record, while Buckingham and Christine McVie penned three songs each.
Still, “Silver Springs” found its way to the stage in 1997 during the televised performance of The Dance. Nicks and Buckingham fuel this performance with intense glares and powerful vocals. Because of this passionate display, this is one of rock and roll’s most recognizable performances in a televised concert. It continues to circulate on social media as yet another example of divine, dark feminine energy.
Soaring Solo
After she solidified her success in Fleetwood Mac, Stevie Nicks embarked on a solo effort. Detaching herself from the ongoing tumult of the band, Nicks wrote Bella Donna. Released in 1981, Bella Donna reached the top of the charts and produced four singles that broke the top 50 chart rankings. “Stop Dragging My Heart Around” featuring Tom Petty and the Heartbreakers reached number three, while “Leather and Lace” with Don Henley reached number 11, and “After the Glitter Fades” reached 32.
While it is not the top charting single, “The Edge of Seventeen” is Nicks’ most culturally relevant single. In fact, it is reaching new audiences through social media, and is enchanting new generations. Recently, Miley Cyrus remixed the song on her album, Plastic Hearts, on a song titled “The Edge of Midnight.” Cyrus combined her song “Midnight Sky” with “The Edge of Seventeen” to add Nicks’ intense independence to a song about personal freedom.
Nicks has released eight solo albums in total, each more experimental than the last.
Forever an Icon
Stevie Nicks is perhaps the most powerful living figure in rock and roll. Her presence in the cultural zeitgeist is never-ending. Even in her 70s, Nicks shows no signs of stopping. In fact, she is currently touring with the exuberance and fervor of an immortal, eternal being. And that, truly, is the essence of the high priestess: Nicks’ energy remains divine and unable to be destroyed.
Music History: It’s Chic!
Happy days are here again, indeed, as the current trend in pop music reflects the groovy joys of the past. At the helm of this new movement stands the musical genius of the original: Chic. A band known for its genius and lasting impact on music history and culture.
In 1976, guitarist Nile Rodgers and bassist Bernard Edwards founded Chic, a glam rock-inspired disco band. They brought drummer Tony Thompson, keyboardist Raymond Jones, and singer Norma Jean Wright on board in 1977. However, the success of Wright’s solo work led to her departure in 1978, and Alfa Anderson took her place. In fact, this kind of unexpected change is a theme throughout Chic’s legacy. Though Chic would eventually become the greatest disco band of all time, redefining music history, their journey indeed tells a tale of triumph in the face of adversity.
Ah, Freak Out: Making Music History
In 1978, Chic, now known as Nile Rodgers & Chic, released one of the most recognizable tunes ever: “Le Freak.” After a New Years’ meeting with singer Grace Jones fell through, the band wrote Le Freak during a jam session at Edwards’ apartment. This song quickly became a national hit, selling over 6 million copies. In fact, this was the best-selling single at Warner Music for 12 years!
In March 2018, the Library of Congress selected “Le Freak” for preservation in the National Recording Registry. They selected it due to its cultural relevance and impact on music history.
Good Times: Waves of Cultural Impact
For the next couple of years, Chic experienced an incredible amount of success. They released their second album, Risquè, which featured another big hit: “Good Times”. In fact, this is still one of the most influential pop hits of all time. Grandmaster Flash used it as the basis for “Adventures on Wheels of Steel,” and launched Sugarhill Gang into stardom as the foundation of “Rapper’s Delight.” Additionally, the song served as inspiration for Queen, Madonna, and Daft Punk.
Stress, Strife, and Perseverance
Despite the band’s massive talent and influence, the anti-disco sentiment of the 80s stunted their growth. Their struggle to obtain airplay and sales led to their disbandment.
Fortunately, Rodgers and Edwards were both supremely talented musicians and producers, and they regularly produced hit records individually and collaboratively. In fact, Rodgers, Edwards, and Thompson played the instrumental tracks on Diana Ross’ Diana. This album, co-produced by Rodgers and Edwards, featured mega hits like “Upside Down” and “I’m Coming Out.”
Rodgers also co-produced David Bowie’s “Let’s Dance” in 1983, and was integral to the success of Madonna’s Like a Virgin in 1984. Like a Virgin reunited Rodgers, Edwards, and Thompson once again. Rodgers went on to perform with Madonna at Live Aid in 1986.
In 1989, Rodgers and Edwards reunited the band and went back into the studio to record “Chic Mystique” and the subsequent album, Chic-ism. Audiences and critics alike met this new effort with enthusiasm and acclaim, and Chic found themselves back on the charts.
An Enduring Legacy
In 1996, Billboard Magazine named Nile Rodgers as the Top Producer in the World, and he continues to prove this to be true. However, his legendary skills are only part of what makes Rodgers so successful. A large part of his impact is due to his personal strength and ability to adapt.
In April 1996, Bernard Edwards passed away after getting pneumonia. Unfortunately, this was just the beginning of many health challenges. In 2003, Tony Thompson passed away from kidney cancer. Years later, in 2009, Nile Rodgers received a prostate cancer diagnosis. Still, Rodgers remained motivated and released his inspiring 2011 autobiography, Le Freak: An Upside Down Story of Family, Disco, and Destiny.
Luck Was Right Around the Corner
After a couple of years, in 2013, Rodgers became cancer free. In fact, this year would mark an incredible comeback for Rodgers, and the band now known as Nile Rodgers & Chic. Rodgers & Chic headlined the UK’s massive Glastonbury Festival, alongside The Rolling Stones and The Arctic Monkeys. Additionally, Rodgers co-wrote and performed on three different songs for Daft Punk’s Grammy Award-winning album Random Access Memories, including mega-hit Grammy Record of The Year, “Get Lucky,” featuring Pharrell.
Further, Nile Rodgers & Chic headlined Prince’s Essence Festival in 2014. To celebrate the immeasurable impact Rodgers has made on music history, Kathy Sledge of Sister Sledge, Janelle Monae, and Prince joined him on stage to perform Sister Sledge’s “We Are Family” and “He’s The Greatest Dancer,” and David Bowie’s “Let’s Dance” respectively.
Rodgers & Chic released one more album of new material, now under Warner Brothers Records, titled It’s About Time (2018). This album featured modern legends like Lady Gaga and prolific, long-standing legends like Elton John.
Better Days Are Still Ahead
Jmex, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons
Most recently, the Recording Academy honored Rodgers with the Lifetime Achievement Award in 2023. He also received a Grammy for his work on Beyoncé’s CUFF IT, which won best R&B song at the ceremony. This was his fourth Grammy Award.
Still full of surprises and versatility, Rodgers is currently producing a new album for Tony Award winner, Idina Menzel. This would be her fourth original album, and is a return to her neo-soul and rock roots.
All in all, Nile Rodgers and Chic represent the best aspects of the music industry. Their collaborative nature and supreme talent, combined with their willingness to adapt and persevere, will continue to serve their legacy for generations to come. Rodgers and Chic have truly earned their place in music history.
Committed to the Feeling: Flotence + The Machine’s Ethereal Rebellion
With her signature siren call reaching the rafters in Madison Square Garden, Florence Welch’s voice floats over a sea of fringe and flow, guiding the audience through an otherworldly experience where individual self-expression intertwines with a sense of community and acceptance. Perhaps one of the biggest draws to the band since their debut in 2009, Florence + The Machine has empowered their fanbase to free themselves from the confines of conformity. As they readied themselves to embark on another world tour for their latest album, Dance Fever, in an interview with Jimmy Fallon, Welch stated, “The Florence + The Machine show is like a fully immersive experience…It’s nice for me because I play a show but I also get to watch a show,” as the audience reflects Welch’s eccentric fashion as her influence inspires them to embrace their own power and divinity.
As someone who has seen nearly every Florence + The Machine tour since their debut, the energy for the Dance Fever tour was unmatched. The fashion was outrageous, often combining chiffon and silk with corsets and combat boots. I ask one fan, who wishes to remain anonymous, about their choice to dress “like a woodland creature going to prom,” with their hair tied back in a braid with a thread of flowers flowing through it, an orange chiffon maxi dress, cinched at the waist with a black corset. They told me it was simple: COVID-19 and Florence + The Machine’s song “Daffodil.”
“It was so interesting,” they said, “I spent nearly my entire life trying to fit myself into any box I could find. I was facing the onset of a nearly-fatal breakdown as COVID-19 ravaged through Italy. Once it reached the United States, I began working remotely, and in my solitude, I realized what a disservice I was doing to myself by trying to be ‘normal’. Nothing was normal anymore, and that was freeing. So this outfit is really reflective of the line ‘there is no bad/there is no good…made myself mythical/tried to be real’ because it’s like this all-encompassing feeling of being everything at once.”
As I made my way down to the pit, I mulled over the concept of freedom. In light of COVID-19, the United States has faced an incredible divide as each citizen came face-to-face with their own mortality. The unpredictability of this novel coronavirus created a perfect storm, with the contentiousness of the country’s politics combined with an unprecedented restlessness, leading to a search for answers, self, and higher meaning on all sides of the political spectrum.
Music has a powerful impact on the world in the way it unites communities. As Welch spoke openly about her anxieties, she spoke about how her heart, mind, and deepest desires are in conflict with one another. A collective agreement rippled through the crowd. Welch then politely asked the audience to dance, scream, and cry out what is burdening them throughout their set. It was a collective upheaval and healing, powerfully committing us all to our own personal sense of freedom.
REVIEW: HA VAY’S ROMANCE HYPERACTIVE
Coming off a fantastic EP, We Fell In Love At A Party, Ha Vay, an independent artist from San Francisco, California, describes her artistry as an “ethereal indie sleaze,” reflected through all her work. This otherworldly thread seamlessly connects We Fell In Love At A Party’s otherworldly poignance, especially my personal favorite Drunk as Gods, with the overall indie-sleaze brilliance of her new album, ROMANCE HYPERACTIVE.
Combining the alternative pop influences of Lana Del Rey, Marina, and The Diamonds, Florence + The Machine, and drum beats ranging from punk to hyperpop, Ha Vey produces an album that merges the best of the early-aughts counterculture with a surrealist, dream-like production style unique to today’s alternative artistic movement.
The album opens with a sense of mania on The Prettiest Girl, combining light yet hard-hitting vocals with a punk drum beat, reminiscent of Florence + The Machine’s Kiss With A Fist and Blondie’s Call Me. The transition of “I’ll burn this place to the ground/and you’ll love me more than ever now” to the French “Je veux danser avec toi” – which translates to “I want to dance with you” – is a brilliant demonstration of the album as a whole as the urgency with which the song flows perfectly illustrates the entire journey Ha Vay takes with ROMANCE HYPERACTIVE.
The Prettiest Girl bleeds into Ohmygod which solidifies Ha Vay’s mystique and allure as a feminine presenting person, toying with the manic pixie dream girl trope, but the song, Morocco, adds depth to this trope. There’s an interesting push and pull between Ha Vay and her elusive love. The way she flips between being the chaser and the one chased throughout ROMANCE HYPERACTIVE is a powerful and effective way of adding depth and dimension to the experience of being wanted, but not wanted enough.
Poetry in The Margins, which is the fourth track on the album, is perhaps my favorite song on the album and builds upon the idea of her partner’s elusive and enigmatic nature, fearing the depth of their feelings. She describes herself as “sunlight,” and her muse as “moonshine,” who she thinks was “born to die.” This song is beautiful and poignant in the way it describes the temporary, fragile, and ethereal nature of love. It is a perfect representation of the entire album.
During 26 April, Ha Vay is trying to reconcile with losing her muse, oscillating between wanting to move on and being caught in her misery, in spite of herself. At the beginning of the title track, Romance Hyperactive, Ha Vay positions herself as a vixen in the vein of making her muse jealous. However, by the end, the tone begins to shift as she sets her sights on someone new. This image takes hold in Sharpen Your Teeth in which she reclaims her power. The muse is realizing what they have lost, while she realizes what they have taken from her. There is, again, this interesting push and pull between Ha Vay and her muse – only this time, she is reclaiming the power they stole through vengeance.
The next song, Babe!!! is an incredible tribute to queer love. Continuing with an ethereal motif, Ha Vay describes her lover as a babe with a “lavender glow,” calling back to the influence of Sappho, who often referenced women adorned in flowers. Babe!!!’s queer romance is framed as an act of defiance, unapologetic, and loving in a miserable world.
The album closes on You Should’ve Known Better, which starkly contrasts the muse of the first half of the album with the healthy love of the latter songs. She finds independence and recognizes her divinity. After so much yearning and turmoil, she finds herself believing she is “going to be fine.” This is an excellent way to close out the album, leaving the listener feeling empowered. It is a cinematic close to a beautiful journey.
I am obsessed with ROMANCE HYPERACTIVE. Ha Vay’s light vocals floating over heavier rock-inspired instrumentals are a perfect representation between the ethereal, surreal nature of unhealthy relationships and the inevitable heartbreak that ensues. Ha Vay’s ROMANCE HYPERACTIVE tells a tragically beautiful story of growth and empowerment, and is a masterful testament to finally feeling free.
REVIEW: Ann Wilson’s Tender Heart
Ann Wilson is undoubtedly one of the best vocalists of all time, and she knows just how to hit me right in the heart. With her new single, Tender Heart, which she released on January 22, 2021, her raw vocals combined with a soulful organ and poignant lyrics, cut straight to my soul.
In an email to her fans, Wilson stated that Tender Heart was written about coming to terms with an "inescapable truth". The song hits deeply as it speaks about the naiveté and innocence of heart that has not yet been hardened by experience and hard truths. Wilson says that the lyric "innocence is still a part...of your sore and tender heart" refers to the "invincible belief in the beauty and purity of love". Wilson's lyrics are just as poetic as her email, and is a song that I will have on every single heartbreak playlist I make from here on out.
Though she rose to fame through Heart's signature 80s rock, Ann Wilson shines the brightest when her vocals are the main focal point of the song. Her voice is smoky and vulnerable. Every line initiates an intimacy with the listener. Her delivery feels like a much needed warm hug on the coldest of days as we reconcile with some hard, unforgiving truths regarding the world around us. Tender Heart reminds us that though the world may try to harden us, and though we may feel heartbroken, we can remain soft. There is a pureness and a uniting quality to feeling love in its truest form, and through this love, hope can never die.
You can stream Ann Wilson's Tender Heart on all platforms.
REVIEW: IDINA MENZEL’S BRIDGE OVER TROUBLED WATER IS EVERYTHING MUSIC NEEDS RIGHT NOW
Originally published for Affinity Magazine on 9/7/2018
On Thursday, Idina Menzel announced that she would be releasing a live album, idina: live, on October 5th via her instagram story, and subsequently posted about it on all her social media channels, also announcing the pre-order will begin Friday, September 7th, prior to joining Josh Groban on his Bridges tour.
With the album’s pre-order, Ms. Menzel released the studio version of her cover of Simon and Garfunkel's "Bridge Over Troubled Water", which she and her band recorded in New Orleans when she was on tour in the summer of 2017, where she originally performed the song on stage for the first time, and still, the studio recording is equally, if not more so, breathtaking.
Using more soulful instrumentals in comparison to the folksy instrumentals of the Simon and Garfunkel version, and clearly pulling musical and vocal influence from the late Aretha Franklin, who Menzel has cited as her "idol" and as the "greatest singer ever", Menzel shows off her vocal agility and finesse. She moves through standard soul runs and masterfully navigates her extensive range effortlessly and seamlessly, proving once again that she is one of the most skilled vocalists of her generation.
Including her vocal prowess, Menzel brings an incredible amount of power and emotion to every single note she sings. She approaches them with intention--it's not just about the vocal acrobatics that she can masterfully perform; it's about the way she can make her audience feel--which is what makes her one of the greatest artists alive today.
Idina Menzel represents everything an artist should want to be: someone who can leave a listener speechless through phrasing, finesse, and intention alone. This level of artistry profoundly provides a deeper connection not only to oneself but to the world.
Listen to the cover on your preferred music platform here!
Image Credit:
https://www.facebook.com/IdinaMenzel/photos/p.10158642481719616/1015
INTERVIEW: NICOLE NELSON
INTERVIEW: Nicole Nelson
originally published by Indie Witches
Check out our interview with Nicole Nelson of Dwight & Nicole!
1) Hey Nicole! Thanks for interviewing with Indie Witches. How did Dwight & Nicole come to be?
It’s my pleasure to talk with you :) Dwight & I first met in Boston, Massachusetts. We were both just out of our teens, fronting our own bands and playing a ton of shows locally. We sort of grew up in that scene, and we really loved each other’s voices. Eventually we started calling each other up onstage to sing together and our chemistry onstage was literally its own entity. It was tangible! So we followed that energy - started a side project “Dwight & Nicole” for fun. The next thing we knew - our shows were selling out, offers started coming in, and we were writing an album together. Things evolved quickly after that, (and romantically as soon as we were both single at the same time lol) Then it all just sort of burst into reality.
2) Being a powerhouse vocalist, how do you combine the technicalities of singing with the emotional delivery of a song?
For me, the emotional aspect of singing is everything. My favorite singers deliver a feeling - and I don’t really care as much if they are technically so great. I’m more impressed with the mastery of the communication of feelings through a song. That’s what makes music so incredible - when that little bridge forms between people having a timeless, shared experience.
3) What attracts you most to the indie soul genre?
I think it’s where I naturally find myself sort of fitting. I am a true independent artist. “Indie” meaning I do not not work under a larger entity that directs my career, or dictates my music, or my look. The “Soul” part is more about my approach as a vocalist. I am a very passionate singer.
4) What is your music making process like?
I follow my muse as much as possible. Meaning that spontaneity rules. I rarely “schedule” time to write, etc. I am so immersed in music in my everyday life. We have a drum kit in our living room & instruments all over our house. So we can easily run with creative moments whenever they strike. When a song comes to me, it usually comes in pretty compete in my mind already. Like a download. Or maybe it’s more like a birth. Maybe it’s both.
5) Who has been your greatest inspiration in life?
As an artist, my biggest inspirations probably lie somewhere between Roberta Flack & Mavis Staples. As a human, I think my older brother inspired me the most. He passed away suddenly when we were teenagers and I completely adored him. Loosing him felt like my world was ending, and a large aspect of it was. Through that devastation, I learned that music can literally help to repair a broken spirit. I also learned that I was very strong. And it was through knowing him in this life that I learned to embrace every moment, and to love fully and completely above all else.
6) Favorite book and why?
If I have to pick one favorite book, like a desert island book... I think I would go with “Zen Mind, Beginners Mind” by Shunryu Suzuki. That book literally rocked my world.
7) How was working with Joel Hamilton and what was the recording process like?
Working with Joel is so special. It’s actually not easy for me to put it into words - and that’s saying something because I LOVE WORDS ! Making a record with Joel changed my entire perspective on how it could be and should be done. He is a master. Also, I have never felt more at home in a creative space (that is not my actual home) as I do at Studio G.
8) Being a woman in music can be difficult. Do you have any advice for other young girls and women in the industry?
Yes! I would say that when it comes to making major decisions - like the signing of contracts, and making major choices about the trajectory of your career - know that the final decision is 100% yours. Put your trust not in the things that people tell you, but in the way that they make you FEEL inside. Tap into that, and follow your inner guidance and intelligence above all else! Trust this: You are crafting your own life, and you are calling experiences to you that are very personal and custom to what you need to learn on your individual path. Do not let anyone else’s dreams for you interfere with what you know to be true within yourself. When your own inner guidance seems far away- then you know it is time to unplug for a while and go seeking within. ALSO- leave all comparison behind. Look instead for ways to celebrate those who you admire. Lift yourself up and lift each other up!
9) We hear you have some exciting new music coming next year! Anything you can tell us about that?
Well, it is by far the most personal music of my life. This collection of songs were born as part of a path to healing. We had no idea that they would be any good until we started listening back in the studio. We were kind of taken aback. It’s like that spark that lights up when you see children start to grow into these beings that you couldn’t have ever fathomed. They have a life of their own, and it’s more beautiful and original than what you were capable of imagining beforehand.
10) Any upcoming shows/tours? Where is the best place for fans to follow you?
We are currently hopping around the Northeast doing one off shows while we finish making this new album. Later in the year we’ll be touring all across the US in support of it - we’ll be announcing dates pretty soon. I think the best way to follow us is on Instagram - we post there a lot @dwightandnicoleYou can also check our website www.dwightandnicole.comfor news updates & links to everything (twitter, FB, YouTube) + our tour dates.
Bel Holiday’s “Mama Mountains” is a Force to be Reckoned With
Bel Holiday: if you don't know her, you will soon.
Her single, Mama Mountains, off of her upcoming album, Mess of A Mind (to be released on February 12th, 2021), is a breath of fresh air at a time where the world needs an artist like her. In a song where she liberates herself from any expectation of perfection, she shines through stellar vocals and poignant, poetic, yet accessible lyrics.
The skill Holiday exhibits vocally is equally matched to her lyricism. Mama Mountains, inspired by a spiritually awakening hike, paints a beautiful picture of keeping the faith in one's journey. Her vocal styling is very unique, and the way she sings her verses as if she is climbing up and down scales is genius as it paints a physical picture of both the struggles and triumphs of healing. As the second verse hits, Holiday shifts from detailing a spiritual experience to a plea, her vocals becoming more intense and compelling, closing out the verse with a powerful "mama mountains/sense me/feel me". Combining acid rock, avante garde jazz, and dream pop sounds daunting, but she has done it so well. With the story-telling ability of the greats like Joni Mitchell and a voice that is in a league of its own, Bel Holiday is a force of nature.
(And she will be blowing everyone away on the newest season of American Idol, airing February 14th, 2021)